George Strait Slams Beyoncé’s Country Music Venture: ‘You Can’t Just Put On A Cowboy Hat And Call Yourself Country’”

George Strait Criticizes Beyoncé’s Country Album Flirtation: “You Can’t Just Put On A Cowboy Hat And Call Yourself Country”

George Strait, the legendary country music icon, recently voiced his criticism of Beyoncé’s attempt to venture into the country genre, saying, “You can’t just put on a cowboy hat and call yourself country.” The comment comes in the wake of Beyoncé’s exploration of country music elements in her work, particularly after the release of her 2022 album *Renaissance* and her performance at the 2023 ACM Awards, where she incorporated country sounds into some of her tracks.
Strait, known as the “King of Country,” has a long and established reputation in the genre. His comments were seen as a pointed critique of artists who try to blend genres without fully embracing the core values and traditions of country music. Many fans and musicians within the country community have strong opinions on what it takes to be considered truly “country,” and Strait’s remarks reflect this sentiment
Beyoncé’s foray into country music, especially with her hit single “Daddy Lessons,” which blends country and Southern rock influences, has been both celebrated and critiqued. While some praised her for her versatility and willingness to experiment, others felt that her shift toward country was more of a trend or marketing move rather than a genuine connection to the genre.

Strait’s comment seems to stem from a belief that country music is more than just a style or an aesthetic. For him, it’s about living the culture, respecting its history, and understanding the roots of the genre, which go far beyond appearance. His words are a reminder that authenticity and commitment to the genre’s values are key to being accepted as part of the country music community.

While Beyoncé’s contributions to various musical genres have been groundbreaking, Strait’s stance underscores a longstanding debate in country music about what qualifies an artist as “country”—and whether genre boundaries should be fluid or strictly defined.